Wednesday, 19 January 2011
Interim crit No.2!
I'm still not happy!! Although I do have a real passion for this kind of work I feel like I want to work like this myself rather than just celebrate others! From past experience it's a always a stress and an effort to organize other people when they're helping you and that's not what this project is about. I've recently suddenly felt an irritation and a need to go against graphic design as I think it can be taken too seriously. I do feel sometimes we need to realize there is a lot more important things in life than point size! With this in mind and the need for my work to have benefit I'm yet again changing the direction of this project! I've recently seen and read a lot of things that I can't believe there's not more of a fuss about. This project will hopefully have and achieve the aim of informing and educating about these issues.
Glenray Tutor
Lizzie Finn
Hellovon
Francois Berthoud
Claire Morgan
Boo Ritson
Boo Ritson paints people, but not on canvas or on board – she literally coats people with paint. Presented as photographs, Ritson’s portraits are a double masquerade: her subjects coated in sticky disguise, and the documentary image a surrogate representation of the tangible painterly, sculptural, and performative qualities of work. By using photography Ritson capitalises on the associations of snapshot memory and filmic narrative, with each of her characters playing out readily recognisable stereotypes.
I love this work, it's so instantly recognizable as hers and is so quirky and individual. There's something slightly odd about her work which I like, that little odd twist always makes work more interesting and appealing to me.



I love this work, it's so instantly recognizable as hers and is so quirky and individual. There's something slightly odd about her work which I like, that little odd twist always makes work more interesting and appealing to me.



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